Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.
Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution 'verbs. Quite simply, an impulse response can not do what Eos does.
Algorithms: Three custom-designed algorithms: Plate 1 (mono in, stereo out), Plate 2 (true stereo), and Superhall (true stereo) built with modern production in mind.
Controls: All standard reverb controls, including modulation rate and depth, attack, diffusion, and full control over the EQ and multipliers of the reverb tail.
Infinite: An on-off control for "freeze" effects.
User Interface: Unique visual controls designed for quick and easy programming.
Optimized: Low CPU usage compared to other algorithmic reverb plug-ins, and far lower than the average convolution 'verb.
MIDI Learn: Full MIDI learn for hardware control of most parameters (VST only).
The OS X version of Eos requires an Intel Macintosh running OS X 10.5.1 or greater.
Digital Download includes: AU/VST for OSX & VST for Windows
• 32/64-bit VST2.4
• 32/64-bit AudioUnit
US $49.00 / Digital Download
Eos On Piano
This is an upright grand piano recorded to tape with a single Neumann microphone. Dry first, then Eos Superhall at 15%
Eos as a room reverb on drums.
Eos programmed as a medium room on a drum buss. Dry first, then wet.
Eos Superhall on synth pads
Eos Superhall with long decay on MKS-80 sawtooth pad.
Eos Plate Versus Hall Cage Match.
MKS-80 dry, then 40% wet through the St. Plate & Chorus preset, then 40% wet through the Small Hall preset.